Monday, July 16, 2001

I DID A SEARCH FOR "TUNA" AND FOUND THIS--

When she told Joe she was sorry that he’d grown up on Gert’s meat loaf, her tuna casseroles and iceberg wedges with bottled orange dressing, instead of this lovely, loving food of his father’s country, he had shrugged and told her he ate in friends’ kitchens a lot.

GERT IS JOE'S WASP MOM.

LEE TOASTS A BIALY. THAT'S A NYC REFERENCE THAT I THINK WILL JUST HAVE TO STAND. I'M CITING OUR FAVE INDIAN WRITERS, ROY AND RUSHDIE, WHO EXPLAIN NOTHING WHEN THEY USE HINDI WORDS OR OTHER REFERENCES ONLY AN ANGLO-INDIAN WOULD UNDERSTAND. IF THEY TRANSLATED EVERYTHING IT WOULD BE PEDANTIC, NO?

THANKS FOR GETTING THE OMINOUS JOKE ABOUT THE BOXES. IT ALSO REFERENCES HIS INSISTENCE THAT SHE HAVE NO LIFE BEFORE HIM.

Sunday, July 15, 2001

THE WORKAROUND IS WORKING. HERE COMES 8. PLEASE NOTE THAT IN THE POSTS, IT PRECEDES 7, A CHAPTER CALLED TOID AVENOO, WHICH WENT UP TODAY AS WELL, WHICH MEANS YOU HAVEN'T READ IT. SORRY FOR THE UPSIDE-DOWN ORDER. IT SEEMS TO BE UNFIXABLE. BUT ON THE WEB PAGE--CLICK ON THE WORDS IN THE BLACK BAR IF YOU'RE READING THE POSTS PAGE--7 PRECEDES 8. GO FIGURE.

8 Boobs Revealed
Jimmy’s was not a normal venue for Tate and Pru, but it was across 49th from the theatre where Boobs was running, and a favorite of Joe’s, a classic red-check-tablecloth-and-manicotti New York hangout, with no aspirations to sophistication. The walls were covered with autographed headshots of show folk, but the only stars were in their much younger, pre-stardom forms; this was a place for dance company gypsies and bit players, before they hit it big, if they ever did. The tables were still lit by dripping candles stuck in Chianti bottles, the air perfumed with the welcoming, unapologetic smell of thick tomato sauce laden with garlic and oregano. There was nothing of Bologna or Milan on the menu; here the food was Napolitan or Sigi, the dishes those that thousands of mamas on the Lower East Side had made in their tenement kitchens, plus some specialties they would only have prepared on the most fortuitous holidays, when the family splurged, or in later years when they had made it to garden apartments in Queens or bungalows in Leonia.

Lee liked best the everyday sauces and pastas that ingenious, loving women had made delicious on no money at all. A plate of rigatoni, covered in heavy red sauce and dusted with grated cheese, was so delicious she was sure the children in those tenements couldn’t have known it was not the food of kings. When she told Joe she was sorry that he’d grown up on Gert’s meat loaf, her tuna casseroles and iceberg wedges with bottled orange dressing, instead of this lovely, loving food of his father’s country, he had shrugged and told her he ate in friends’ kitchens a lot.

They were on their second Camparis when Poole arrived at Jimmy’s, in a crisp white Oxford button-down, pressed khakis and shined penny loafers, his shoulder-length wig neatly tied back, his manners impeccable, no kin to the raucous hippie they’d just seen on stage, which helped Joe refrain from letting Lee’s friend know that his show was obscene and disgusting.

Joe had sat in the theatre, arms folded across his chest, frowning, through every four-letter word, through the nudity, even the anti-war songs. Tate had whooped and chortled and threatened to send tickets to his mother. Now, over the antipasto, Pru announced to Poole that she was running away from home and joining the cast. He graciously promised to let her know when there was an opening in the company. Boobs, he told them, would soon be a Major Motion Picture. Pru did not ask for a role in the movie.

For Lee, the exuberant experience of the show was topped by hearing news of his family, by the Whatever-happened-to’s, by telling him that their classmate Naomi had signed a contract for a series of commercials that might free her from her day job—she was still a restaurant hostess. Lee annotated the dialogue for the others, until they took up their own conversation, attending to their eggplant Parmesan and their braciole and leaving her and Poole to speak in allusions and half-finished sentences that they understood perfectly.

When the cannolis and Strega arrived, so did the handsome fellow who played the show’s sublimely boobish Army recruiter. He stopped just inside the doorway and nodded shyly at Poole, who flushed and stood to make his goodbyes. As he took her hand, Lee knew that he was happy, and that his new life was full, his tribe complete. She would not see him again. His eyes challenged her mischievously as he slipped into remembered lines.

“Goodbye my memory of earth, my dear, most dear, beyond every expectation.”
She stood to embrace him and replied in kind. “It will seem like eternity ground into days and days.”



She was startled to hear Joe say to the sitter, “That’s six hours, right?”

It was one in the morning, the alarm would ring in just five hours, beginning a day when she would probably be drained and exhausted by the onset of the monthly flood, a day when she had to meet with a Balkan historian enfuriated by the scope of the rewrite her questions and edits required.

Joe threw his jacket over a chair. Lee let out a great sigh.

“Oh good. You didn’t really like it either.” There was relief in his tone, pleasure in his assumption of her agreement.

“No, no. I had a great time, I just, I don’t know, I just feel pretty low right now.”
Joe looked at her questioningly as he unbuttoned his shirt, not seeing the tiny sauce stains that would probably never come out.

“I’d tell you why, but I don’t think I know. I go to a great show, have a wonderful dinner, see an old friend, and I’m dragging around like the dog died.”

She kicked off her satin pumps.

They’re beautiful, I love them, it was a miracle to find Fiorentinas the same teal green as these pants and damn they hurt. Like they have knives in them.

She sat on the edge of the bed and rubbed the balls of her feet.

“Maybe it’s just that I’m a failure. There’s Marsh with his hit show and he’s just a year older than I am. Other classmates, Nate, he’s producing USA Morning. Lew Walsh’s novel is a best seller. And somebody even told me that a B-minus kind of guy who was in a lot of my history classes is the lead counsel on the Sullivan anti-trust case.”
She stepped out of the teal hip huggers, admiring them, glad she’d worn something so beautiful, so well made, fitting perfectly from hip to knee then flaring into more than bell bottoms, into a veritable fishtail sweep. She clipped them to a pants hanger that she hung on a peg inside her closet door. In the morning light, she’d check to see if she needed to drop them at the dry cleaner's, along with Joe’s shirt.

“Oh. And remember last year I introduced you to a guy named Perry O’Connor? He’s running for Congress from Baltimore now.”

Joe still looked puzzled, his black brows tenting over the skyblue eyes. “Well, yeah, it sounds like a pretty talented bunch.”

“But what have I done? I push people’s words around on pieces of paper.”

“You’ve got Jake. And there’s me.” Joe grinned hopefully, hopping as he depantsed one solid, curly-haired leg.

“They have families too. Well, not Marsh. But I’m talking about making a contribution. Didn’t the nuns tell you it was a sin to not use the gifts God gave you?”

“Mortal or venial? I don’t remember.”
“Don’t tease, Joe, I’m serious.”

He called out from the bathroom, a toothbrush in his mouth. “But, Leedle, they’re all guys.”

It was her turn to not comprehend. She leaned against the bathroom doorjam, the tile floor cooling her injured feet. “What’s that got to do with anything?”

“Well, I didn’t hear you mention even one woman’s name. Those guys tearing up the road are all guys. So why are you so hard on yourself?”

Why am I? I don’t know. Good old Emily was happy to manage a household and her kids. But she didn’t get a degree. She never read de Beauvoir and Friedan. She just wanted to be a bookkeeper. Now I’m a book fixer. This is progress? Now it’s new rules. No. New game. You make nice about feminism, but I don’t think you have any idea what it’s about. Just as well. If you understood, you wouldn’t like it. Not one bit.

“If you were me, would you be satisfied to be somebody’s wife, somebody’s mom, somebody’s sentence-fixer?”

He straightened up from the sink and looked at her in the mirror, wiping tooth paste foam on a hand towel. “If I had half what you’ve got, nobody would use me, ever.”

“No, I don’t imagine they would.” She turned back into the bedroom.

“So go out for an audition,” he called to her over the running water he was throwing onto his face, and the wall behind him, and the floor. “Do something with your sketches. They’re good, aren’t they? Write something. Your own stuff. Do it.”

She reached under the curved shade of a Chinoiserie table lamp and pressed on a pool of warm light, then flipped off the glaring chandelier, erasing the sour light and hard shadows it cast all over the room.

Why do you always do that? Turn something beautiful ugly. And you don’t even know you have. I have to remember to get the lamps wired to the wall switch. Then you won’t be able to do it anymore.

The costume design prints that hung around her closet door were all askew at different angles. She gave each a tiny nudge in the right direction and the aspect was grounded, serene again. Some things in the world were fixable.

She put the peach silk blouse on a curved-shoulder hanger, hung it on a peg next to the pants, took off the padded bra that made the blouse fit—and made her look female—tucking it quickly into the cloth bag for hand laundering. Here in her closet, where he could not see her, she welled over with tears.

You’re right. You are so right. You can’t say a line, can’t draw a stick figure, you can’t even write a coherent letter. But you’ve got all the moxie in the world. And that’s what counts. If you could do half—no, a quarter—of what I do, you’d take those little skills and convince the world you were a Billmore, a Picasso, a Faulkner. But I know better. I know second-rate when I see it and I’m just where I should be. Artistic. Yeah. I understand enough about acting to know when I’m seeing a fine performance. I can make a room beautiful like this one, I can put peach shantung and teal satin together and know I look pretty damned good. I can help people who have something to say get it on paper. It’s all perfect and it isn’t enough. It isn’t enough.

She couldn’t talk about this with Joe. He just gave her solutions that wouldn’t work and he never understood why she didn’t act on them. She pulled on composure with her pajama top.

Put a lid on it. Until tomorrow. Tomorrow I’ll talk with Celeste. If anybody can understand this, it’s a good astrologer.

She realized how insane that would have sounded to her as recently as the previous year, before she met Celeste Papandreou, on a dare.

A voice had been coming up and over the partition In her tiny warren at MacGregor’s, and what it was saying was distracting, annoying. The new editor, somebody named Asa Chandler, fresh out of Harvard, had been talking astrological garbage on the phone for half an hour. When he stopped, she walked to the door of his not-yet cluttered cubicle.

“On behalf of your parents, I’d like to lodge a protest.”
“My parents?”
“Your parents. I assume they went to some expense to put you through Harvard and here you are, after all those pricey years, your head full of drivel that I’m sure you didn’t learn there.”
“Sorry I was talking too loudly.” He smiled appeasingly.

What is he, 15? Are those pimples? They’re hiring children to do these jobs. Deluded children.

“You weren’t. Eventually you get used to these partial walls and you don’t talk about anything you don’t want everybody on the floor to know. That’s not the problem.”

His unlined, flushed face broke into a delighted grin and he tugged his tie loose. “How much do you know about astrology?”
“I’ve seen all that stuff in magazines. So vague it applies to everybody. Complete nonsense.”
“Yes it is and that’s not astrology. I love to talk about it—as you’ve noticed—but I can’t discuss it with you at the nonsense level. Would you be willing to find out more?”
“Depends.”
“Of course. OK. How’s this? I give you the number of the astrologer I was just talking to. You call her, give her your time and place of birth. That’s all. After you do a session with her, we talk.”
“How much?”
“Twenty-five dollars.”
“And you don’t set her up? Tell her about me?”
“What could I tell her? I don’t know you from Eve.”
“True. You’re on, boyo.”

That had been the start of it. For her twenty five dollars, eight words, and three hours, Lee received, to her astonishment, a return of faith.

She hadn’t been a believer since reading an essay on brainwashing when she was 22. She absorbed its implications walking the Inland Sea beach in front of the house she and Tim had rented, just north of Kobe. She grew lighter by the step as she recognized that her training as a Catholic had been classic brainwashing. Everything that she had suspected was nonsense was indeed just that. Identifying the programming freed her to feel no qualms whatsoever after being wired to feel guilt if she doubted any of the rules, big or small, if she could not feel disdain for other religions, if she thought the accounting system of indulgences and penances was petty and demented, but most of all, if she thought of leaving. She had always returned from any cycles of doubt, just as the programming said she would. “Fallen-away Catholics always come back.” But not freed-from-brain-washed-bondage- got-away Catholics. The wires were cut and she was floating free, at liberty to question, doubt, reject.

And she rejected the assumption of order. Life was chaos and you did the best you could. There was nothing more to say.

Until Celeste Papandreou had given her those hours of personal information so detailed they even included the fact that in her 27th year, Lee had almost died in a foreign country from an ailment of the gut. Remembering the touch-and-go days in the Saigon hospital as the French doctors used heart-stopping toxins to kill off the amoeba that were rioting in her intestines, Lee had her road to Damascus revelation. If Papandreou had done this, and clearly she had, there was, after all, an order at work in the universe.

Lee had to know how it worked and young Asa triumphantly loaned her heavy tomes full of words, diagrams, and charts. There could be clues in them, she thought, to doing better, at home, at work, to understanding how it all fit together. But it quickly became clear that mastery would be a life’s work; she’d returned the books and left the expertise to Celeste.

When she cajoled a skeptical Joe into doing a session, he had immediately ordered up charts on his kids and her Jake. And Papandreou, bless her heart, told them how all the kids’ charts interacted with their own, ending a family dynamic that had been a dark weight in Lee’s heart.

Her son and Joe’s were both nine. Her Jake was whole and beautiful and healthy; Joe’s Wentley was encased in steel braces from his waist down, his face and arms chaotically manipulated by cerebral palsy. Despite the boy’s enormous neediness, or perhaps because of it, Joe had left his first family to start a new life, and now he lived with Lee’s son, not his own.

Every time Went and his sisters came to visit, Joe turned himself inside out with solicitude. They could have anything, do anything. He had to see them smile, no matter what it took and they made sure it was a lot, withholding those smiles, dispensing them only when handsome tributes has been paid. And all the while, her Jake spanieled after Joe, anticipating ways he could please him, never making the grade. Lee could see the pain in his eyes, and nothing she did could make it go away.

Then Celeste Papandreou charted the family, and Joe became Jake’s dad. Laying out the charts on a table, Celeste had told him that Went, Aurora, his 18-year-old, and Mady, two years younger, all had the charts of people who were quite unconnected to him. But his chart and Jake’s were joined by sextiles and trines and parts of fortune and other purportedly good things. Lee didn’t care if it was good astrology or a kind mendacity, it had been the permission Joe needed to respond to this dear child. Jake was his “astral son.”

Tomorrow, Lee would call Celeste. They were both service brats with what passed for roots in California, both transplants in New York, both married to men who’d climbed out of the slums and made something of themselves. They could talk. The sister space in Lee’s world had been filled by a kind woman who had a map of how the world worked.
Tomorrow, Celeste would listen, and maybe she could see if the order of the universe would have it that Lee would always be behind the scenes, watching, thinking, tinkering with other people’s creations until they were perfect. It was, after all, her chosen role, except right now, when it looked like a ridiculous way to use her life. Maybe about this one thing the nuns were right— she might be sinning, probably mortally.

The moon having surmounted the buildings around them, it flooded the silent room, its light brighter than the extinguished chandelier, softer, colder. It must be near full. Her feet still stabbed at her, her back had begun to ache, her life was a mess.

“You’re crying? You’re crying?”
She thought he was asleep and that she was making no sound.
“What have you got to cry about?”
“Nothing. It’s nothing.”
“You’re damned right it’s nothing. Lee has the perfect life, doing whatever she wants, any time she wants, am I wrong? Nobody else matters. Just Lee the Good. Lee the Bitch.”

His voice hissed through the darkness, close to her ear. She rose quietly to sit on the edge of the bed and said in a voice that had no timbre, “I don’t understand.”
“Well maybe I can explain it to you.” He flipped the chandelier on and walked to her closet. Lee’s shielded her eyes as she stared at him.

“You looked really great in these, you know?” He was holding the fishtail pants. “And you wore them to hang all over that Poole guy. Did you think how I might feel about that? Watching you looking at him like that, talking about old times? Saying stuff I have no idea what you’re talking about?”

Here it comes. The train wreck. But maybe I can stop it. Maybe if I say the right things, I can pull him out of it.

“You know he’s gay, Joe,” she said softly. “He’s a friend.”
“Oh sure. And people at Jimmy’s are supposed to know that? Joe Montagna’s wife is fawning all over this big star and I’m not supposed to be embarrassed?” He was whispershouting, hurling the words at her below the sound level that would reach Jake’s room. “Well not in these, you won’t. Not ever again.” His broad hands pulled at the thin teal satin until it ripped, once, twice, then again and again. He pulled out the peach blouse. “What did I pay for this? What did it cost me to watch you wear it with Mr. Tallblondandhandsomefaggotdirtymouth?”

There was no way to reason with this Joe; he would not hear her. While he was turned, pulling more things from her closet, she took her pillow and the afghan from the foot of the bed and slipped into the bathroom, locking the door soundlessly behind her. Joe did not like locked doors. She was not supposed to leave, but it was not possible to stay in the same space with this Joe. She must leave without seeming to leave, saying nothing, making no sound as she moved.

She stepped through the chilly puddles he had left on the floor, lined the tub with the afghan and settled in as best she could, leaning back against her pillow. Toes against the faucets, she listened to Joe’s fist hitting the bedroom wall, to plastic hangers breaking under his feet, to his threats to throw the bitch out of his home, as she considered the fact that there were any number of people who thought her the most fortunate woman in Christendom. Never had there been a man so enamored of his wife as her husband was of her.

“Ah, so you’re the incomparable Lee,” said the Senator at the campaign dinner.
“Where can I get one like him?” asked the highest-ranking woman in New York banking, after working with him on one of MAA’s programs for the poor.
The waitress at the Argos coffee shop where they had breakfast most Saturdays, patted their hands, brought them extra Mellocreams and admonished Lee to take good care of him.
“Every woman should be so lucky.”

Everywhere he went, Joe somehow got his adoration of his wife into the conversation. When other men ogled passing women, he smiled tolerantly. He didn’t need such foolishness. Just look at his wife. And did they know that she gave great dinner parties? That she had manners and, you know, class? That she was editing really important books at MacGregor’s? That she could have been a movie star?

His favorite audiences were the staffs at Saks, Bergdorf’s and Bloomingdale’s. He would steer Lee through their fragrant doors of a Saturday afternoon and they would move arm in arm, laughing, to a floor full of “the good stuff.” She would remind him that there were bills to be paid at home and he would say they were just looking, just passing the time.

She enjoyed looking. Cashmere, silk and fine workmanship pleased her enormously, as if their beauty and straight forwardness could affect her life. She reached out to the soothing colors and comforting softness, inevitably finding things that would feel wonderful to wear. And just as inevitably there was a solicitous saleswoman, often one who knew them. “Let me bring you that in a six.”

Joe would insist that she show him everything she tried on. Even things she didn’t like had to be shown, front, back and sides, to Joe, rendering judgments from a damask chair.

“That looks loose in the shoulders,” he would inform the saleswoman. “Call the fitter, please.” Or it would be, “Yes, she’ll take that emerald silky thing. It brought out the green in her eyes.”

The sales staff would kvell, and other shoppers would discretely watch the madly-in-love man buy clothes for the little redhead. Stock clerks would search for extra buttons. Buyers would be called on to help choose between the Blass and the de la Renta, before Joe would wink and say, “I think she needs both of them.”

The perfect husband in all his munificence. Pleased and angry and fearful, she would play the demure, grateful wife, sometimes not well enough to avoid being tut-tutted by a sleek saleswoman for not being overjoyed. “If I had a husband like that...”

You can have him when the bill comes and he pitches his Lee-the-extravagant-bitch fit, another of his Great Performances.

At least there would be the crackle of silk and the sweet cheek of cashmere, in her hands, real, giving delight, until she once more fell sickeningly through the looking glass, and found herself trying to sleep in a bathtub.

She told herself that she stayed because this was not the real Joe. The vicious Joe who hissed insults, the taut Joe teetering on the edge of mayhem, the raging, furniture-busting Joe whose visitations had to be lived through—that wasn’t her Joe. Her Joe was kind, funny and loving. It was just so hard to keep him present.

She had to learn how to do it, how to keep her Joe from switching off, running away, leaving her to deal with this angry, frightening man. Until she learned, she would sometimes have to endure the consequences, waiting this Joe out, then disappearing the evidence so that nothing would remind Good Joe of what she had done to send him away. The beauty and order of the old brownstone’s oak-paneled rooms would be restored invisibly, expeditiously, and without comment.

She had learned. Just once she had left a bill on his desk for the repair of a door he had torn out of its frame. He had brought it back to her, his eyes locking on hers as he crumpled it into a ball.

“Do you want me to do it again? Is that what you want?”

He put his after-dinner cognac on the table next to her chair, pivoted and ran at the repaired door, flying at it with both feet, breaking it out of its frame again. In the morning, she had smoothed out the bill, written a check to cover it and looked in the Yellow Pages for another carpenter, one who would not note that he’d done this job before.

For weeks, they would deal with their kids, enjoy friends and the city, work on MAA projects together, being exactly the happy couple people thought they were. Then Joe would veer off, jumping the tracks, scattering all the cars of their life into what seemed to her an unsalvageable heap of shards and twisted steel.

In the world of her people, the Palmers and the Wellocks, such actions would have become part of the permanent record, never to be erased from the equation between those involved. They were slow to anger and long on grudges—two of her uncles had not spoken to each other since 1946. Something about a borrowed car. She understood endless WASP winters, the quiet, serious, solidly built and permanent ice. But not Joe’s squalls, sudden, baseless, violent and then, gone. In a matter of hours, there would be no emotional tracks, not a trace—for him. And it was up to her to see that she bore none.

He would sleep soundly now, in their big comfortable bed, swathed in the soft sheets and the down quilt, while she stared into the dark, wide awake on unyielding porcelain. In the morning, he would wake early and dress quickly, stepping over, walking away from, perhaps not seeing, what he had done. He would use his travel kit to shave in the guest bathroom downstairs, as if that were the most natural of things to do.

When she was sure he had left their bedroom, she would hide everything torn and broken, find something undamaged she could wear to work, and cover the circles under her eyes with makeup. Then it was scramble eggs and toast a bialy for Jake and send him off to school as Joe puttered about, humming. He would read her a Times article about election campaigns or the war, heat the milk for her coffee, suggest plans for the weekend. Perfectly groomed and perfectly pleasant, she would join the play, agreeing that the world was a mess, the coffee was delicious, and that yes, Sunday it would be nice to catch the four o’clock showing of Rosemary’s Baby.

She would then will her way through the Balkan meeting, convince two writers whose manuscripts were overdue to get back to their typewriters, and work with Pam in the art department on the design specs for the Columbia professor’s book on economic forces in Asia. It would all be punctuated by sprints to the ladies’ to change soaked maxipads and tampons. She would take a cab home, too weak to walk, and unable to last the long bus ride between one bathroom and the next, feed Jake, oversee his homework, and have a candlelit dinner on the table at seven thirty.

Joe would look at her in the soft warm light and say, “Why are you so quiet, Leedle?” He would hold her hand, loving concern filling his eyes, extending a large palm frond over her to protect her from the elements. “Did someone at work upset you?”

Ah there he is, My knight on a white horse, ready to do battle to protect me. Unless I say the wrong thing. Do the wrong thing. Then Sir Doppleganger could appear and ride right over me. I must not correct him, overrule him, embarrass him, ever.

“No, I’m fine, dear. Just a little tired.”

He would smile his most understanding smile, the one that did not include white teeth, just an upontheright downontheleft shape that meant, Poor dear.

“You’re shivering. It’s your period, isn’t it? I know how that does you in. Come on, let’s go to bed early and I’ll hold you.”

She would sleep, her head in the hollow of his shoulder, the full length of her body warmed and stilled by this her radiant Joe. What she had seen and heard and felt must join all the other hidden, torn things that could not see the light of day.

She could do this, almost, when she was awake, moving, able to stay in the reality of her busyness. But in sleep, the nightmares would come. The lost one where there was no warmth, no home, no safety, where she and Jake wandered unknown in strange cities, no door opening to them. The one where she was imprisoned, screaming unheard in a stone cell, that had neither window nor door. The one where she drowned in icy black waters, spiraling down through the waving, drifting skeletons of dead sailors.

But sometimes, on nights gifted with grace, the dark waters would fill with light and she would find herself breathing deeply, warm and safe and strong as she soared through a luminous sea, singing to Danny Q as he mirrored her movements, watching her, hearing every note and word of her song. When the sun wrenched her to the surface after such a night, to her pillow next to Joe’s, she would try to dive back down into the dream, hoping Danny would still be there, waiting for her. Sometimes he was, and she would stay with him in their luminous, gracefilled world, putting off the waiting day for just a little while more.
TRIUMPH. JUBILATION. IT SEEMS TO BE ACCEPTING CHAPTER 7, THO ONLY BY PASTING IN A FEW PARAGRAPHS AT A TIME. QUEL DRAG.

7 Toid Avenoo
Lee avoided the subways. They were jackal transport, ugly, clever, malevolent and fast; you had to make quick moves, thinking faster than the jackal, and without daylight and street signs to go by, you could make a wrong choice and end up God knew where and maybe never get back to known territory.

Bumble-bee Checker cabs were the given mode of transport when she was with Joe, but quite beyond her budget for her daily commute to work. An elephantine bus suited both her finances and her morning temperament as it lumbered hugely through the streets, halted repeatedly by traffic, by new passengers boarding and by the buzzing of those requesting release. Each morning she walked Jake to school, then stepped onto the 57, usually greeting the same enthusiastic driver who made a lie of every tale of the corrosive nature of New Yorkers. This New Yorker was mother hen to his passengers, noting when a regular sported a new coat, calling out stops with advisories to be mindful of a break in the sidewalk or to get the umbrella ready. Lee had even seen him hold at a stop, directing passengers to wake up a rider who always got off there. Though his natural accent was Jamaican, he could do a perfect imitation of Laugh-In’s little wermacht soldier and his Ferrry interefting, of Ernestine the phone operator, even matching Tomlin’s snorting laugh as he entertained his rolling audience.

Since Lee boarded near the start of the run, she had her pick of seats, always going to the window position just behind the rear door, where she had a view of most of the bus as well as the change from the relative quiet of West End Avenue to the high-boil action of 57th.

Given the chaos of mornings at the Montagnas,’ getting Joe and Jake out the door, and getting herself into some semblance of professional style, Lee found her trans-Manhattan elephant ride restorative. There was room and time to open the paper, skim for the things she’d want to know today. Time to think about Joe, Jake, the job. World enough and time, for the immediate stuff, the mechanics of getting through the day that had begun.

At five, she took to the sidewalks, the long hike home being her only exercise and a private interval between the demands of the day and those that would fill her evening. She took different combinations of cross streets and avenues each day until she knew every doorway, window and marquee, every tree struggling to survive in its absurdly small opening to the earth below. She still marveled that there was actual soil beneath all the concrete and macadam, revealed only in these tight squares for the trees or in the massive excavations for new buildings. The sight of earth was as amazing as the time, years before, when she and Tim had been in a cab heading for the pier where the SS Exeter would take them to Naples, the first leg of their journey to the Congo. She’d glimpsed a woman pushing a large pram out of an apartment house door and realized that people actually had babies here and raised them, right in all this brick, concrete and steel.

Now, the complexity of the man-made city was what she found most wondrous. Nowhere else was so much excellence so compactly on view; it was awe-inspiring. Galleries, restaurants, stores, museums, libraries, magazines, jewelers, networks and book publishers were shoulder-to-shoulder or stacked one above another. All of them places the world knew. All of them right here, in the same few, walkable square miles.
And the people. In other places, you could read about all sorts of people; here you saw them, rode the bus with them, sat next to them at counters, stood behind them in lines at the market and the bank. People of every color, speaking dozens of languages, walking beside you, sitting in front of you on the bus. In New York, the poor, the foreign, the super-rich, the famous were not abstractions; they were visible reality, all in motion, all in arm’s reach of one another.

There were the drunks, the lunatics, the beggars. There was also Greta Garbo on the elevator at Saks, getting off at Lingerie, everyone pretending not to notice. Mikhail Barishnikov, chain smoking at the next table in The Gingerman. The Secretary of Defense browsing at Rizzoli. All of them undisturbed by New Yorkers, who had seen it all.

Once Lee had realized, on an elevator down from the fifth floor of Bloomingdale’s, that the man standing on the step below her was Van Johnson. He was still right there on the third-to-second stretch and, giving up her New York cool, she tapped him on the shoulder.

“I just thought I should tell you that when I was 12, I was absolutely sure I would marry you when I grew up”

He gave her the sideways-grin-amidst-freckles that had so beguiled her younger self and said in his familiar voice, “Well, it seems that you have, and I’m available. Are you?”

The part of the city she was learning particularly well were the blocks that stretched away from MacGregor’s revolving glass doors on Third Avenue. The avenue was mutating. The “el” had come down, allowing the sun to touch places it hadn’t reached in a hundred years. Steel-wheeled trains no longer rumbled and lurched past third-floor windows, filling them with combat-level noise. Buildings that housed laundries, hardware stores, fishmongers, candy stores, secondhand shops and used-book dealers, and three or four floors of low-rent, walk-up apartments, had thrived like mushrooms in that noise and darkness. Now they were being eradicated by the buildings’ owners, who saw these small time businesses and apartment renters as erasable squatters taking up the spaces where corporations were eager to dig deep for parking garages and fill the air above the buried cars with 80 stories of prime glass-and-steel office space.
MacGregor’s Publishing House had nurtured, edited and published writers since the turn of the century in the same charming old building in the Village. Now, four venerable publishing houses, MacGregor’s among them, had been bought out by a corporation and consolidated in the EPN International Tower, newly arisen on Third, which was fast becoming Publishers’ Row, corporate-style.

Discomfited by being one of the intruders who were destroying the neighborhood, Lee spent her lunch breaks exploring what was left of it. She would take the silent, high-speed elevator down from her hermetically sealed floor of desks and fluorescents and typewriters and within minutes would be rolling a ladder along the top shelves of a dusty used-book store, finding an 1898 set of Jane Austens or an autographed Martha Gellhorn. In an antiques store full of Depression glass and Fiestaware that reminded her of her mother’s kitchen, she found a framed print from an old book. A very young man and woman walking together on a tropical beach, he sheltering her with a large coconut palm leaf, he solicitous, she calm, assured. Back on the twentieth floor, she showed the book plate to Pam Pierpont, the designer who did most of Lee’s books.

“I don’t know who they are, but I love this picture.”
“Oh, it’s an engraving from Paul et Virginie, you know, the old French novel.”

Lee didn’t know, but the picture pleased her and that evening she gave it to Joe.

“See, he’s protecting her, keeping the sun away from her.” He looked at the picture quickly, laughed and put it on the pile of reports and newspapers, waiting by his chair to be read. She made a mental note to retrieve it before the pile went into the trash.

Today her explorations took her to a candy store—properly pronounced “cenny stoah”—that hadn’t changed in generations. Sidewalk piles of newspapers flanked the entry, racks of magazines lined the walls. There were hollows in the wood floor made by generations of children coming in for boxes of JuJubes, Good and Plenty and Necco Wafers; by their parents picking up the daily paper and a pack of Luckies; by intellectuals stopping by to read the literary journals and, if they had a teaching gig or had sold an essay or short story, to even buy them. Lee wondered where their modern incarnations were all going as the bulldozers moved in, whether they would disappear before the candy store itself.

The store keeper, wearing a 1930’s fedora and a moth-eaten sweater, sat reading Daedalus at the cash register. When Lee paid for a Kenyon Review, he informed her that “The Fugue of the Fig Tree,” published years before in the Review, was the best short story “evah.” When she said “By Stanley Sultan” and recited the story’s last lines, he looked at her with sudden interest.

“You’re on lunch? Sit. Sit. Waddya wanna eat? I’m Mort.”
Delighted to oblige, she took one of the six stools at the worn marble counter, taking in the long, two-person-wide store.

There were newspapers in Yiddish, Italian and Greek, tattered boxes of yo-yos, sticks of chalk, clothes line for jump ropes. It was a time warp into the New York Joe had grown up in. She smiled, remembering his lesson in city-kid language: “Jeat?” “No. Jew?” “No. Squeat.”

“OK Mort, pastrami on rye with Russian and a Dr. Brown’s Cel Ray.”
He squinted at her through smudged horn rim glasses, one earpiece secured with a paper clip. “Not ham and cheese on white with mayo?”

She laughed, hearing her own white-bread accent mimiced perfectly.

“Seriously, wadda you know from Russian and Cel Ray?”

“I have a good teacher, and he’d love this place. Do you make egg creams?”
“Izza pope Cadolic?”

Reluctantly leaving the reality of the streets, she pushed a shoulder into the revolving door at EPN, crossed the chill marble lobby, fit herself into a crowded elevator and shot up to MacGregor’s nonfiction division. One desk, two chairs, a couple of coat hooks and her space was full. Chapters of the manuscript she was working on were laid out on the desk, the ones she’d finished to the left, small blue squares flagging almost every page. The unflagged pile to the right was discouragingly high. The historian who had done the draft didn’t understand it was a draft, that he couldn’t just write down everything that came into his head and call it a book. She’d never had to tag so many errors of fact and so much murky writing. She’d heard that he was great on his feet, a charming lecturer, but he needed a ghost writer, not an editor.Her desk was piled high with reference books on Balkan history that she was using to cross check the professor’s version of the facts.

She read a page of the manuscript, looked up a name in one of the tomes and wrote, “R u sur? Cnflcts w Djilas p. 189.” She pulled the next chapter to the center of the desk and was quickly writing yet another blue slip. “Antcdnt unclr. Who says?” She did not write “Who cares?” It was going to be a long afternoon.

Before she left for the night, she’d have to line the reference books up neatly and hide all the manuscript pages in a drawer. Editors who left their desks covered with work in progress found the business card of the head of EPN on top of the mess the next morning. The man had gone from meatpacking-company accountant to comptroller then CEO of the conglomerate. His only possible contribution to the publishing division was to remind editors and designers that neatness counted, which it did—in wasted time.

She called Joe and asked him to meet her downstairs at 5:15. When they walked into the candy store, Mort beamed. “Hi, Lee. Two seconds and they’re ready.”

Joe was turning on his seat at the counter, grinning, taking in everything in the place, when Mort put the freshly made chocolate sodas in front of them. Egg creams with no egg and no cream, the perfect New-York-native drink. Joe closed his eyes as he took a deep pull on the straw.

“I bet they’ve got spaldeens.”

Mort heard that. “Over dere inna cohnah. Last place on Toid wheah y can get em.”
And one of the last places in the Manhattan where the berl-em-in-erl, toity-toid-street accent could still be heard.

As he hailed a taxi for the ride home, Joe, spaldeen in hand, beamed at his wife. “That was fun, Bucket.”

On Saturday, Lee made her gathering rounds on Broadway, Citarella’s for blowfish and haddock, Fairway for bok choy, butter lettuce and gravensteins, Zabar’s for pain au chocolat, a baguette, Jamaica Blue Mountain and Stilton. It seemed a lifetime ago that she could walk in the door and call out “Thi Hai, Thi Ba?” and see the ready faces of her Saigon cook and housekeeper telling her, “Oui, madame. C’est tout preparee.”
But she liked cooking for her guys, liked the physicality of it, the movements and the smells. And she loved the rituals of the city, loved walking back to Broadway Sunday morning to buy the five-pound Times and read the front page while she stood in the line for hot bagels at H & H, loved going to the park with her men and her paper, to sit on a blanket and read, drinking hot Jamaica Blue from a thermos, dispensing warm bagels with schmears.

Back on Third Avenue come Monday, Lee saw on her lunch break that another stretch of old buildings had been razed, from the corner to midblock, and a construction wall thrown up around the site. Huge steel beams had been placed against an obscenely revealed wall that clung to the remaining building to the south, bold stokes of industrial determination against the fragile humanity of five levels of flowered and striped wallpapers, pink, yellow, and cream paints, crazily angled hanging pictures, the private domesticity of generations of families who had lived their lives out in the ripped away building was exposed to the elements and to staring eyes on the street. A pattern of stair treads zigzagged up the wall, from floor to floor, behind the authoritative uprights of the steel beams that kept the remaining building from sagging into the unexpected space that had opened up beside it.

Lee imagined the missing rooms, the people who had moved in them, argued, studied, made love, cooked dinner, raised kids, painted and papered those walls, read the headlines, hung those pictures.

She averted her eyes and entered the ground floor shop of the surviving building. It was a musty, chaotic antique shop where she found a box of solid brass, art nouveau door knobs, beautifully cast to read “PS 11.” She bought them all, at a dollar a pair, though she owned no doors to put them on.

Someday she and Joe would not be renters, perched to move on. They would have their own place, maybe one of the derelict brownstones that were selling so cheaply all around their rental. They would fix it up, bringing back the beauty that was behind the cheap partitions and the layers of paint that covered beautiful carved wood and plaster. They would sand and stain, hang wall paper, and pictures. She would unpack the boxes she hadn’t opened since DC, the ones that held her life before Joe, boxes he kept threatening to put out on the curb for the sanitation department to pick up. She would shelve all her books, have an orange and white cat. And when she opened the doors, feeling these heavy brass ovals in her hand, she would know that she was truly and safely at home in New York.

[BigBody]

Saturday, July 14, 2001

[BigBody]

Friday, July 13, 2001

[BigBody]
[BigBody]
[BigBody]
NOPE. IT'S BALKING AT POSTING A WHOLE CHAPTER. HENCE "BIGBODY." WILL TRY A WORKAROUND.
WHEN I TRIED TO POST 2 CHAPTERS, I GOT ONE OF THOSE WONDERFULLY UNINTELLIGIBLE MESSAGES THAT SOFTWARE ENGINEERS THINK ARE ENGLISH. SO HERE COMES 6--I'LL TRY TO GET 7 UP IN THE NEXT POST.

6 Boobs, the Musical
”You know Marshall Poole?” Pru’s fork stopped in its ascent from her plate. Lee wasn’t sure if she was impressed or appalled.

“Well, yes. From college. We were in the theatre department together. Played opposite each other in a Christopher Frye one-act, then in Caesar and Cleopatra.”

Pru stared at her. “You were an actress?”

“Just in college.”

“Don’t listen to her.” Joe was beaming benevolently. “She had offers for Broadway and for the movies. She turned them down.”

“Why’d you do that?” Tate asked, gnawing on a chicken leg. “Being a movie star would be a gas.”

“Looong story. But basically that life takes stainless steel guts and I don’t have them.” She smoothed a pat of butter onto her corn. “And Joe’s exaggerating, sweet man that he is.”

She knew she wouldn’t have held form as an actress who was waiting tables; she’d have become a waitress imagining she was an actress. If she’d had the nerve to push through the doors that had cracked open for her, if she’d succeeded and become known, she’d now be one of those emotional basket cases lost in drugs, sequential polygamy and despair. To be known was to be caught in the lights, talked about, criticized, to be known was to be found out, known, dismissed, even hated, for who you really were.

“What about Poole?” Pru urged, leaning forward. “What’s he like, really?”

See? There it is. Let’s peel Poole, pry him open, reveal his secrets, roll around in them, so we can be in the know and assure ourselves we’re superior to Mr. Superstar.

“Aside from being the world’s richest hippie?”

Faux hippie, if the truth were told. The author, composer, lyricist, director and star of Boobs, the defining theatre work of our era, is solidly Silent Generation, “overage in grade.” He’s 36 and bald and wearing a long wig so he can masquerade as a credible spokesman for the love tribe. But what the hell, our own lot was—is—dull, dull, dull. Our guys went off to Korea without a peep, we had virgin wedding nights, thought drugs were medicine. We sang It’s a Lovely Day Today and If I Knew You Were Comin I’da Baked a Cake for God’s sake. But the hippies—they’re trying everything, doing everything, yelling No! instead of doing what they’re told, like we did. Like I did. Do.

She and Joe had been in one network’s coverage of the great hippie Central Park Be-In. They were the “adult” couple in the Irish sweaters, photographed for humorous contrast as they wandered through it all on a bicycle built for two. Lee had squirmed with embarrassment, wishing they’d stayed in some other part of the park instead of providing a cameraman’s cartoon of the hopelessly uncool.

But Marsh, he’s joined the cool. Marsh-as-Hippy doesn’t write Whistle A Happy Tune. He writes Farewell Capricorn and the words are coming out of every radio. But not Fellatio, of course. They only play that one and Boobs as instrumentals, but everybody knows the words. Boobs is getting to be a blooming anthem for the anti-war movement. Ole Poole has cooked up a messy mix of political defiance and in-your-face sexuality and fury and terror about this God damn war. And he’s hit a nerve, he has, my buddy Marsh.

“He’s actually a fine classical actor. Gentle, and very sweet. He was in a rep company after college, and did some beautiful Chekhov, O’Neill, Shakespeare. But with all this money coming in, I think he won’t do the big stuff any more. He’s bought a townhouse, he can buy anything he wants forever. I’m afraid he won’t go for the brass ring now.”
He was going to be the next Olivier, but now he can afford every drug in the world and he’s using so heavily, he sometimes can’t recognize old friends, much less focus his bleary brain on his art.

She took it personally that he’d stared through her when she called to him in front of Zabar’s. He was the same dear compeer who had memorized lines with her, planned cast parties, dreamed about the future. They’d bought each other beers to cry in when they’d both fallen in love with—and been rejected by—the handsome teaching assistant in their general sciences course. But the Marsh who didn’t know her that day on upper Broadway was someone new and strange. Another cast member from the old days had told her it wasn’t personal. “Hell, he lived with me, and he doesn’t know me either.”
But now he’d answered the break-a-leg message she sent him when the show moved uptown from Off Broadway; she’d just gotten a note back—”Legitimate at last. Please come, dear girl,”— and four tickets to the show. Maybe he’d cleaned up. Maybe they were still buds. Maybe he’d do Hamlet someday.

Her first thought had been to invite Celeste and Stefan Papandreou, or maybe Asa and Pam from work, but getting Joe on board wasn’t going to be easy. This was a better plan—if Tate wanted to go, Joe would certainly agree to make an evening of it.
“OK, me hearties, I’ve got four good seats for the fifth, next Thursday. Short notice but are we on for it?”

Tate laughed through a mouthful of mashed potatoes. “Hell yes. That’ll be a ball.” He brandished a chicken bone for emphasis, prompting the immediate appearance of a concerned Claude.

“No, no, we don’t need a thing,” Pru said in dismissal, frowning at Tate.
Pru upped the ante. “We’d have to cancel an opening that night at the Modern, but … do you think he’d go out with us after the show?”

You mean me. Would he really want to see insignificant me. And if he does, can you be right there so you can tell the Blands an amusing story about dabbling in the counter culture.

“There’s a fundraiser that night for Glenn Cole, but we’re hosting one ourselves next month, so we’ll beg off. And yes, I’ll ask Marsh to join us afterwards.”
“I don’t know. Do we want to give our time to this?” Joe stopped munching across his corn cob, but kept his eyes on the rows of kernels. Lee took it as a good sign that he was questioning, not starting at No.

“I mean they can’t even print the name of the show in the paper. It’s about people taking all their clothes off and they’re dancing down the aisles singing about kinky sex?”

Pru frowned at him from the heights of her vodkaness. “Oh I think we can avoid contamination. Come on. It’s the hottest ticket in town.”

Lee had to admit that what she saw as Joe’s courtliness sometimes tipped over into being prissy. He didn’t approve of a lot of things. When women swore, wore low-cut blouses, or were reported to be promiscuous, his thick brows would join in one black line of disapproval across slits-of-sky eyes.

But this is silly. You won’t say the name of the show out loud? Sweetie, the show is about so much more than nudity. What it’s about is being against a stupid war that you’re against too. It’s about living with love instead of letting people die of hate and stupidity. It’s not about naked breasts, it’s about the truly obscene boobs in Washington, those idiots who keep sending young men off to die for no damn reason. And maybe it’s also about all the jerks who’re obsessed with big breasts. That would be good too.

She was embarrassingly small-breasted, a charter member of the Two Mosquito Bites on a Board Club in her college dorm. Abundant female bodies always made Lee doubt her qualifications as a woman. The one time she’d voiced that constant concern to her dear Joe, he had gallantly noted how responsive her breasts were, the nipples going erect at his slightest touch. “That’s beautiful, just beautiful. Besides, you know I’m a leg man.”

That helped a bit. She’d never liked her legs’ fishbelly whiteness, every spring of her teen years vowing to have tanned legs, but quickly growing bored, and blistered. But pale as they were—when she shaved and applied enough lotion to edit away a scaly dryness—she had to admit her legs were not bad at all

Still, she hoped the female cast members of Boobs were modestly endowed—it seemed likely since Poole would not be salivating over the Belle Poitrines of the world.
She put her hand on Joe’s taut brown arm. “The tickets are a gift, love,” she said quietly. “If you really hate the show you won’t have to stay. Tate and Pru could see me home.”

Tate slapped the table with one long thin hand, making the plates and cutlery jump. “Hear, hear, the fifth it is. Where shall we supp with this eminent pornographer?”

Tuesday, July 10, 2001

THANKS, HEATHER. I SHALL LOOK AT THAT REPETITION. IT'S A RECURRING PROBLEM WHEN YOU WRITE IN SHORT SPURTS WIDELY SEPARATED BY THE DAY JOB. THERE WILL BE MORE SUCH REPEATS AND NO DOUBT MANY TIMES WHEN PEOPLE'S EYES CHANGE COLOR OR THEY GET BORN IN TWO DIFFERENT PLACES. KEEP YOUR EYES PEELED.

YOUR OBSERVATIONS ARE HEARTENING. DO WANT TO SPEAK TO THAT BEYOND SETTLING THOUGHT.AND TO BE BOTH STRAIGHT FORWARD AND SENSUOUS.

BIG NEWS OF THE DAY--I THINK I'VE FOUND THE RIGHT AGENT. SPENT SEVERAL HOURS WITH HER TODAY--SHE DROVE UP FROM SEATTLE, GOT ON THE BOAT, SAT IN THE OFFICE, AND WANTS TO SEE IT ALL--THE BOOK I'M WRITING AT WORK, THE POEMS AND WALKING THE MERMAID. FUNNY, SMART AND COOL. LIKED HER A LOT. AND SHE LOVED THE CUNUNDRUM OF THIS TITLE, WALKING THE MERMAID. FEELING REEEEALLY GOOD, TEAM.

Saturday, July 07, 2001

NOW IT'S 5--A CHAPTER I ACTUALLY LIKE.

For Those in Peril on the Sea
The schooner, the sun and the Caribbean had not been easy for Lee. She was never seasick—her father had taught her how to absorb a deck’s movement in her legs. She actually loved the feel of a sailboat as it translated the force of wind into canvas to force of wood through water. Her body moved comfortably with the dips and rises, the heeling and righting. But she could not think of what lay below the keel, far from the light and the wind. Drowned men who could hold her there, in the airless dark.

Sailing between the islands, she was held firm by Joe’s constant presence, his skin an extension of hers, smelling of sun and salt. Joe who had chosen her, giving form and validation to her being. If the sea top broke open and the boat began to fall through, her life would matter to him and he would save her, which she would not be able to do herself.

In her one attempt at swimming lessons, she had turned to stone when told to put her face in the water of the pool and exhale, and never taken another lesson. Her face did not belong in water, not even water scooped from a sink in her hands, which was how other people seemed to wash. Lee would wet a cloth, twist it almost dry and rub, even in the shower. She knew that waking hours water had to be controlled, edited, or it would overwhelm her. It was only in the dream that she was at home in the sea.

When the sun was shining and she sat in the shadow cast by the cabin or lay inside, in Joe’s arms, she managed to believe that this radiant surface was the entire world, there was nothing else, nothing unseen, no uncontrollable thing down in the dark below them that could destroy everything. At night she kept her eyes on the treasury of stars that domed over them, on the moon path across the solid water, a path she could walk without falling through, without being drawn down by the drowned men. All through the days and into the nights, she saw herself reflected in the circles of sky that were Joe’s eyes and believed that she was held there, real and safe. But when she slept, she knew she was far from safe.


The war was not going well. In the newspapers, in Life and the Saturday Evening Post, there were stories and pictures of defeat, of death marches, and of sinking ships.

Her father’s ship had burned at Pearl Harbor, one of the ones billowing black smoke in all the newsreels as Roosevelt’s voice declared war on the Japanese. Chief Warrant Officer Ernest Palmer had been on shore leave when it happened, home with them on Coronado, an island in San Diego harbor that was half navy base, half charming civilian town filled with Navy families. But they had not seen him since voices on the radio had ordered all military personnel to report immediately to their ships and bases. Buses moved slowly along San Diego’s palm-lined streets, loudspeakers blaring, stopping at corners to pick up every uniformed man in that town filled with uniforms.

Commissioned as a line officer and reassigned to another ship, Ensign Palmer had flown to Pearl, where the ships were burning, where the Japanese might be landing troops, where Lee knew that Navy friends had been killed in their backyards and in their cars by strafing planes.

San Diego harbor, normally filled with great warships, had emptied out, the carriers, battleships, cruisers, and destroyers steaming past Point Loma and into the Pacific, leaving the harbor bereft, the city unguarded, vulnerable.

She sat with her mother and her baby brother in their green stucco cottage with the drapes drawn over the closed wooden blinds and a blanket shielding one small lamp. There must be no light to guide enemy pilots to the base, to them, sitting stunned in the mainland town nearest to Hawaii.

In the long months after that, Pete, the too-old-to-be-drafted mailman, had become the most important human on Coronado Island, Mercury, carrying messages to and from the war. Every day her mother had a letter ready for him to take, a letter that smelled always of the sweet peas she grew, picking each day just one to send into the war. Most days the letters she received were things she shuffled quickly through and dropped unopened on a chair or the kitchen counter. Then there would be a day when Pete—Mr. Cameron to Lee—came down the walk beaming, and Mrs. Palmer would run into the house with a stack of tiny V-mails, sorting them out to read in order, one for each day that had passed since the last date in the last batch that had come.

Drawers full of V-mails later, one had come that said, “I’ve decided to shave my mustache next month, maybe before Halloween” and, “Why don’t you and the kids go see Liz and Danny Bailey for your birthday?” Since Mrs. Palmer hated face whiskers and her husband always grew them at sea and the Baileys lived in San Francisco and her birthday was October 27, she knew what to do. The Delius was coming home.

In the next few weeks, Lee worried about her mother. Posters everywhere warned that a slip of the lip could sink a ship, and there her mother was, not saying anything exactly, but laughing too much and arranging for a friend to weed the victory garden, buying makeup and perfume that she didn’t open and making a lot of new clothes that she didn’t wear. She stood in lines for stockings and had four pairs in packages on her dresser,54 gauge, 15 denier, but she kept painting on leg makeup. She made an awful suit with big shoulders and a short skirt that she told Lee she would need for going out in San Francisco, which was elegant, almost Eastern. Then she made a red silk blouse with no back and a black satin skirt that she didn’t sew up one side, and she didn’t tell Lee what that was for.

She was definitely a security risk. She didn’t seem to understand that the Delius was a mother ship, a submarine tender, the rallying point for subs that would leave her to move below the surface of the Pacific, on the prowl for enemy battleships and carriers to sink. Sink the Delius and you’d cripple the sub fleet. The enemy must not know that the tender was headed toward San Francisco.

Lee tried to make amends for her mother by becoming ever quieter as she made her red-wagon rounds of the neighborhood, collecting coffee cans full of used cooking grease, clattering piles of flattened tin cans and stacks of newspapers that left the dresses her mother made for her gray with ink. She pulled all of it dutifully, ritually to the corner gas station where she placed her offerings on the piles of precious junk that would be scooped up by trucks from the base for conversion into explosives and tank treads.

Saturday mornings she would walk to the shadowy junk store on Orange Avenue and trade Classic Illustrated comics with the owner, a fierce, white-haired woman who looked remarkably like the parrot that hung near the stacks of comic books, asking Lee every week, “Tell me a story? Tell me a story?” But she had no story to tell. She would make her trade, a Count of Monte Cristo and a Treasure Island for one Man in the Iron Mask and leave, getting quickly away from the Parrot Lady and her demanding bird.

The next stop was the 9-cent matinee at the Strand, hours of Abbott and Costello, Flash Gordon, and of Humphrey Bogart winning the war on land and sea. Sitting over a lemon phosphate at the drugstore counter after the show, she silently ran and re-ran images of ships with guns erupting fire clouds, ships lowering away lifeboats after being torpedoed, ships slipping under the seatop. She would not play in that sea, would not even walk on the beach, knowing that the water was filled with drowned men who might be her father.

On the days she deemed her war efforts worthy, he would be safe. She knew he was not in danger the week she hauled two threadbare tires to the rubber mountain at the corner service station, and one week when collections were slow, she carried over her new Magicskin doll, just to be sure. If she got the yellow dye squeezed evenly through the disgusting sack of white margarine, he was safe for at least a morning. When the practice air-raid sirens screamed and she ran home through the scent clouds drifting down from the oleanders and eucalyptus, it meant that no planes were diving on his ship. She stopped speaking to the Chinese kids who lived two houses away because they might really be Japanese who could send out Morse code reports on her mother’s behavior. She couldn’t be too careful.

But the best insurance came at Sacred Heart, where Lee never missed a Saturday confession. She had sinned exceedingly in thought, word and deed, through her fault, through her fault, through her most grievous fault, offending God in some way or another every perilous week. Amends had to be made. She used up most of her allowance on candles she lit at the feet of Our Lady of Guadalupe, blessed Mary ever Virgin, before kneeling to pray that the dirty Japs would not harm the valiant officers and men of the USS Delius.

There must have been a lot of couples who had censor-beating codes— when the Delius came into port, the city was full of the crew’s wives and children. They had all beaten gas rationing or impossible crowds at train and bus stations to get there; civilians had no priority on travel space, the seats going first to the droves of military travelers.

Emily Palmer and her children had been lucky. Ernie Junior completely charmed a teen-aged sailor from Ohio who was waiting near them in the mob jamming San Diego’s Union Station. The toddler had been wearing the chubby sailor’s hat and getting romper fuzz all over his uniform for hours before the train going north was finally announced and the sailor plunged into the crowd, carrying Ernie on his shoulders. Lee and Mrs. Palmer had tried to keep up but were trapped in the press of bodies. Her mother was calling out to the sailor to stop and give her son back, but the sailor was already on the train steps, talking to the conductor and pointing to Lee and Mrs. Palmer. The conductor waved them through the crowd, to coach seats with Ernie and his friend. “I told him he had to let my wife and daughter aboard, too,” he said with a pimply grin.

In San Francisco, Ernie and Lee stayed with Liz Bailey and her son Danny, who ignored Lee, as he always had in all the times their families had turned up on the same bases, once even sharing a house in Long Beach when their fathers both shipped out on the Mississippi.

There was nothing to do but read, help Mrs. Bailey in the kitchen and chase after Ernie so he didn’t get into trouble. “T-Bone” Bailey, like her own father a mustang lieutenant, which meant he used to be a sailor, was somewhere in the Pacific, on a battleship. Lee wondered about the names their fathers had been given by their shipmates. They called her father “Deacon.” She supposed her own name would be “Bookworm.” And Danny’s would have to be “Stuckup.”

The Palmers were in a beautiful room at the Mark Hopkins; Lee and Ernie only got to go there in the afternoons. Looking now at family pictures of their outings in the city, Lee was stung by how young they were, how shockingly vulnerable, these people who were her parents. This couldn’t be the giant whose dark voice so startled her, whose severity intimidated her, this gorgeous young man in a gold-braided uniform, smiling shyly.

And her mother. Lee’s memories of her in the war years were of tears and shouts, and the feel of fingers plunged into Lee’s hair, pulling furiously. Of homework papers torn to shreds if there were erasures, if the arithmetic problems weren’t properly spaced and aligned across the page and the writing perfectly formed.

Closing her eyes to the photos, Lee could see her mother crying outside the closed door of her tiny son’s room, as he wailed inside. There were rules that must be obeyed. Babies couldn’t be allowed to get attention every time they wanted it. That would make them spoiled children, greedy adults, people who thought they could have anything they wanted in a world where that was not true. The responsible mother must steel herself to resist the urge to soothe and comfort her baby. And Emily Palmer was determined to do the right thing, no matter how hard it was.

When Lee tried to meld the pictures of the pretty young woman in the ugly suit with her experience of that tautly-strung mother, she was filled with her mother’s fear that she would break under the weight of the duties the war had thrown into her thin arms. She was a continent away from her own mother and half a world away from her man, who was under fire, for all she knew most days, already dead. The blackouts and the air raid practices were constant reminders that the war could come to Coronado at any time, could take her children too. There was never enough money or ration points. She made all their clothes, grew vegetables in a victory garden. As Ernie grew, he was constantly breaking things she couldn’t replace or repair, constantly getting cut or bruised or sick. Her daughter was impossible to understand, always in the library or off in some dream world, wanting things she couldn’t possibly have, things the young Emily Wellock had never had, never dreamed of. When they listened to the classical albums her dear Ernest had left at home, the child actually asked for music lessons, sure she could learn to make such beautiful sounds. “Cello,” her daughter said. “I could play the cello.” The girl was full of outlandish ideas, instead of simply being a proper daughter, her harried mother’s assistant.

There was no one to hold Emily Wellock Palmer when the Navy doctors said that the headaches were serious, that she must have surgery that could make the pain stop, or could kill her. She wouldn’t let the Red Cross tell him. He had enough to worry about without knowing this was happening at home.

It was all there, in their smiles—the joy it must have been to be alive, together, in a beautiful room at the Mark Hopkins Hotel, San Francisco, 1943. In all the photos, her mother was wearing a gardenia. They sold gardenias on the street then, from carts that perfumed the city air magically. The scents of gardenias and of sweetpeas could sweep sorrow over Lee, making her instantly both an excluded ten year old and a wistful grown woman wondering why the sweetness had not lasted for the shy lieutenant and the girl in the ugly suit. Gold braid and gardenias and a war playing ominously in the background, a mixture of joy and terror, unmatchable in ordinary times.

There had been even more to fear than Lee had imagined as she had made her collections, lit her candles. Her father didn’t talk about it, but she learned from eavesdropping at the officers’ club that a kamikaze had hit the bridge, shells fired from a Japanese destroyer had torn open the forward bulkheads, and some of his friends had died. The part of the story that frightened her even more was the long, slow towing of the wounded ship across the Pacific, all those days that her mother had been preparing for the ship’s arrival in San Francisco. Lee knew from the matinees how dangerous such a voyage was, and she wondered how the enemy ships and planes had missed such an opportunity to take advantage of helpless Yanks.

At a picnic for the crew and their families, her father and the skipper presented her with a bowl of polliwogs they said had gotten shell-shocked aboard the Delius. On the bowl there was a decal of the emblem Disney had drawn for the ship—Dolly Delius, a mermaid, surrounded by polliwogs. Lee didn’t think deadly submarines were darling polliwogs and a cute little mermaid certainly wasn’t dignified enough for the Delius’s solemn and dangerous role in the war. Saying none of that, she agreed to nurse the tiny creatures to a peaceful recuperation ashore.

Each day her parents became sadder, more distracted, as the ship came closer to leaving dry-dock, all repairs completed by round-the-clock shifts of shipyard workers. Each day they were quieter, until they were standing beside the re-floated ship and they were saying nothing at all.

Lee had not seen the Delius wounded, but now it loomed above them, whole and strong, a great, gray wall held taut to the pier with massive hawsers, the ship full of noise and movement and power, ready to go once more in harm’s way.

Dozens of families stood in its shadow, each one a tight cluster of colors around a single, dark figure. The adults did not look at the ship and no one stood near the gangplank, where officers and men whose families were not there hurried aboard.

On the other side of the narrow dock, another ship waited, its gangway already pulled in, its decks lined with Marines in full battle dress, silently watching the scene below. No one was there to see them away. They had made their goodbyes in Ohio or Alabama or New Mexico and now only stood and witnessed the undoing of this last tie to home, lived out these last moments of safety.

No sunlight from the fine blue sky reached into the shadow between the ships, and a wind that seemed to seek out the families and men, swept into the harbor from the sea, shivering the air. The Delius began making harsh noises, and men broke away from embraces and outstretched arms to move up the gangway.

“You be good now, you hear? Take good care of your Mama and Ernie.”

He spoke quickly and his shoulder board scratched her cheek, but she held on because the ship was burning and men were jumping from its decks into the sea. She could see it tilting crazily in the water high above her and her beautiful father spiraling down in great, slow circles toward the place where she watched, under the sea. She must swim to him and take his drifting hands and pull him up to the air that he must have to live.

But she couldn’t tell him that and, not understanding, he pulled himself away and her mother moved into his side, her lavender dress soft against his uniform, and then he was climbing up to the ship.

Lee couldn’t find him among the figures that banded the decks and the bridge, but she could see that her mother’s eyes were fixed on a place directly above her on the ship’s superstructure. She waved and Lee wondered how she could think that one of those forms was the right one and the others were not. But one of them waved back in the way her father did, so she pointed to him and got Ernie to waggle his small arms back.

There were no men on the dock now and many of the women were walking quickly away, leading or carrying their children back through the gates where the Shore Patrol stood watch.

The gangway was drawn aboard, the thick hemp hawsers with their metal rat-guards thrown down, and the ship was freed. It throbbed slowly away from the dock and her mother moved with it as it eased along the length of the pier, her eyes holding to the figure on the bridge while she threaded her way through the women and children who remained.

Lee tried to get Ernie to walk to the end of the dock where her mother had come to stand, but he cried to be carried. The skipper’s wife scooped him up and went with them to the dock’s end. Mrs. Palmer’s arm was still in the air and, farther and farther away in the harbor, the man who waved like her father still moved his hand back and forth slowly over his head.

“Bastards!” said the skipper’s wife. Taller than Emily Palmer, her hair rolled in a high pompadour, she was facing the troop ship, where Marines were laughing and shouting, some of them hanging over the rails and waving.

“Don’t worry honey, you’ll find another one!”
“How about me, cutie? I’d jump ship for you.”
“Hey, there’s always the 4-Fs—don’t cry too long, babe.”

The women were glaring at them or pretending not to hear or leaving angrily. Ernie thought they were funny and gurgled happily at them. Mrs. Palmer still had not turned away from the Delius, though it was moving away so quickly that Lee thought it looked like one of the models on her father’s desk.

“Mama, I can’t see him anymore.”

She looked at Lee, startled, perhaps, that she was there.

“But he has binoculars, he can see us.” She turned quickly back to the ship, holding it firm with her eyes, with, Lee knew, looking back, the intensity of her need to keep him with her. Unstoppable in its purpose, in the gravity of its mission, the Delius carried him away. Lee thought her mother didn’t hear the Marines, then realized that they had gone silent.

Their ship had begun to move too, easing away from the dock to take its place in the convoy that was moving under the Golden Gate, out of the soft, sheltering arms of the California hills that enclosed the harbor, into the Pacific and the war.

A voice called out, “Goodbye dear,” and another, “Goodbye— take care.” Men began calling down from all over the ship, and Lee could not understand who they were talking to.

“Don’t worry darlin,’ I’ll be OK.”
“Think of me.”
“I love you.”
“Goodbye.”
“Goodbye.”

The toy Delius gone, Emily Palmer smiled, waved, and nodded her head in answer to the Marines.

She stayed there, still waving, until their ship too, had disappeared. Then she took her children’s hands and walked away in the bright sunlight that flooded the empty dock.

Lee was sure it had been a good childhood, a good education, moving from base to base, learning to adjust quickly, to say what needed to be said, do what needed to be done, in each new place. Again and again, she was taken to yet another new school and left there, to find her way among strangers. And she had done that, taking up her observer position, surveying the lay of the land, making friends, always knowing that if she failed and was not welcomed by the locals, she would be moving on soon, the pain would end, and she would have the gift of another beginning.

Her gratitude to the CNO and all the ships at sea was heartfelt. But she knew that for all she resisted day after day the discomforting, ubiquitous sun, it was that sea—distant, dark and abiding—that was the real enemy, and the nightmares of what lay full fathom five had never ceased.
OK HERE ARE SECTIONS 3 AND 4, ARTIFICIALLY SEPARATED FROM THOSE YOU'VE READ--IT JUST SEEMED WAY TOO LONG AND I DECIDED TO BREAK IT UP.

PROBLEM WILL BE SOLVED IN THE FINAL DRAFT--BY CUTTING--A LOT.

3 Other New Yorks
Her first New York was before the war, the big war. Ernest Palmer, still a non-com, was stationed at the Brooklyn Navy Yard and they lived in a huge apartment building that overlooked the Atlantic. Not their apartment Lee realized—it was on an airshaft—but when they went up on the roof, they could see the ocean liners and freighters heading out into the world, and the ones coming back from places she could only imagine.

Lee had remembered New York most of her life as the place where they’d gone to the circus at Madison Square Garden and lost her mother in the subway. It was after watching Gargantua eat banana peels, seeing the pinheads and the bearded lady, and Frank Buck performing his wild animal act in the Big Top. The three of them were on the subway platform under the Garden, Lee wearing a pith helmet and holding a miniature lion-taming whip in one hand, her other hand tucked safely into her father’s. That strong hand around hers meant that she would not fall off the unfenced platform to be sliced apart by the wheels or fried by the third rail. Her friend Izzy had told her all about such deaths. She held on tightly. They squeezed into a crowded car headed back to Brooklyn, but her mother had held back, alarmed by the crush.

“Shug, quick, the doors are going to close.” Ernest Palmer tried to reach out to his wife, but she was beyond his grasp, frozen in place. Lee, pressed against a window, saw her mother’s anguished face slip away as the train pulled out of the station.

Her father expected his Shug to catch the next train. They waited at their stop in Brooklyn but Mrs. Palmer did not step out of the next train, or the next. When Lee began to fall asleep, her father carried her home, where he paced the tiny living room. He was angry when she picked up a chair from her doll furniture and held it up toward him, cracking her lion-tamer whip. He might have to call the police to find her mother. She should be concerned, not playing.

But her mother was an all-powerful adult; she could not be lost, or pushed from a platform to be fried and sliced, she couldn’t be young, frightened, almost as dependent as Lee was herself.

It was hours before Emily Palmer came through the door, tear-stained and exhausted. She’d been riding the wrong trains, wandering under the boroughs, unnerved and disoriented by the noise and complexity of the system. It could have been seen as a triumph, but Lee remembered it as a warning: New York was a place to be lost.

They’d been transferred to San Diego, to Bainbridge, to Long Beach, to Fort Pierce, to San Francisco, and Lee hadn’t come back to New York until her junior year at Maryland. Life magazine was doing a photo shoot on college fashions and she was one of six co-eds who would model the clothes.

New York had become Mecca soon after the day that Marla, her roommate had said, “You make people laugh all the time. Why don’t you try out for that comedy they’re doing at UT?” When Lee demurred, it became a dare. “What are you scared of?” Marla had pushed. “It’s just a college play.”

Hands shaking so rapidly that she could barely read the script, Lee read for the dotty sister in You Can’t Take It with You and got the lead instead. It was terrifying, until she realized that it wasn’t Lee Palmer on stage, it was this other person, a confident, lovely woman named Alice. It was possible to do anything, with such a “cover.”

While Sylvia Plath did her summer internship for Mademoiselle and lived at the Barbizon, Lee went each day from her room at the Beekman Tower to the studio Life had rented for the shoot, there to be put into pretty dresses, clothes-pinned up the back for a seeming perfect fit, and photographed by Gordon Parks, who particularly liked the effect of one wool dress. “Shocking pink on a redhead. Sensational.” She discovered pastrami on rye with Russian and something called “bitz,” a thick Sicilian bread covered with tomato sauce and melted cheese. On the streets, people asked her to sign petitions against the imminent execution of a couple named Rosenberg and, not knowing what that was about, she crossed streets whenever she saw a clipboard.

In her free hours, she explored the theatre district, amazed that the streets were paved not with gold but litter. Still, there were the shows, the stars—Jessica Tandy in The Four Poster, Rosalind Russell in Wonderful Town, Janice Rule in Picnic. Lee stood outside, looking up, wondering how anyone got from being a kid staring at a marquee to being one of the people working inside.

Naomi Pierson, a fat, brassy girl who had graduated and moved to New York since playing Lee’s servant in a Christopher Frye one-act, explained the waitressing, the classes and the auditions that were now her life as an aspiring professional. Lee thought it sounded like torture. But there was a chance of bypassing such humiliations. A semi-famous playwright who had seen her in a college production of Hello Out There had told her she belonged in New York—after telling an auditorium full of student actors to go home and do regional theatre. She had his card, with his scrawled, “You could make it.” When she got up the nerve to call his number from the studio, he remembered her. And told her there was a part that was right for her in his next play, which was going into rehearsals in the fall. He wanted her to read for the director.

Hearing her news, the ferociously chic Life fashion editors in their black dresses and multiple petticoats, Italian haircuts and stacks of jangling bracelets, buzzed with the excitement of the role they could play in discovering “the next big star.” They would do a new shoot of her, for the cover, a career start valuable beyond price.

But Lee didn’t want to be a star. She wanted to stay down, to do good roles, in a good company, quietly. A working actress could disappear again and again into being other people; a star had no hiding places. Stars were watched, analyzed, criticized. As themselves. She would be revealed. As Lee Palmer. And that would be a disaster.

The night before the cover shoot, she sat looking out her hotel window at a glittering Oz, seeing not a yellow-brick road unrolling at her ruby-slippered feet, but a place where the person she wanted to be could be lost forever, sliced and fried, or worse still, exposed for who she really was.

She fled, hightailing it south, to safety and anonymity, seeing the city again only in quick, baffling glimpses over the years when she passed through with Tim to catch a plane or a ship, to visit friends. Trying to find Fifth Avenue from Amsterdam, going up and down the East 40’s looking for the Lincoln Tunnel, not knowing the Village from Turtle Bay. But it was always just a few quick confusing hours, until the summer of ‘63.

Jake was visiting her parents and she’d loaned the Silver Spring apartment to people coming to the Reverend King’s march, herself heading up to visit Naomi before starting the last round of classes that would lead to her long delayed degree. Riots were expected all over DC and environs; she was glad she and Jake were both far away.

Naomi had risen from waitress to hostess at a popular East side restaurant. She was studying with Uta Hagen, auditioning for every female character part announced in the trades, still sure she would someday make it. And she had indeed played two roles Off Broadway.

“Take the do-over, Lee. Yeah, yeah, you passed up a big one when we were kids, but we’re all older now, stronger. And you have talent. Remember making people laugh? Making them cry? Don’t you miss that? Get the damn degree if you have to, then come back. Do New York.”

On her second morning in Naomi’s East 80’s walkup, Lee was awakened by the phone and Naomi’s urgent voice. “Close the windows. Lock them. Right now. And put something against the door.”

“What ...”

“No questions. Hurry.”

Lee quickly pulled down and locked the big window behind the sofabed, the window they had stepped through the night before to reach Naomi’s “beach,” a tarred roof with tattered lawn chairs and a weary potted ficus. Lee wedged a chair under the doorknob, the way they did in the movies, then turned on the radio.

Two young women had just been found slaughtered in a building three doors from where Lee was standing and a blood-covered man had been seen leaving through an open window and heading across the rooftops.

She wrote Naomi a note, spent the rest of her break in Baltimore visiting Marla and her fighter jock turned IBM exec, and didn’t give New York a moment’s consideration when she started job hunting, BA in hand at last.

Now she was back, protected by a son of the city, sure of three squares a day, mastering the city’s anatomy and its mindset, working a semi-interesting job, living on the funky West Side, and hanging with the meritocracy. Being Mrs. Joe Montagna, which she said gave her moxie by proxy, she was, at last a New Yorker. Lost out-of-towners picked her out of crowds to ask which way to the Frick, the IND, or the Met. And she knew. Sometimes, taking Jake to the boat pond in Central Park or having a midnight bowl of onion soup at the Brasserie or walking a picket line with Steinem or Lowenstein, she wanted to break into a dance step. She had found her scene at last, and her role in it. Celeste had verified that New York was her right and proper home. With an astrologer for a friend, you didn’t have to wonder. You could ask.


4 Unnamed Chapter
“I don’t think anybody saw them.”

“Huh? Oh. Right. On the eighth.”

“You don’t think anyone saw them, do you?”

“No, no. It was just us. Those two guys came along after the cartwheels.”

It had been a classic Greens Club moment. White-haired, just shabby enough in their well worn madras pants and Izod shirts, they walked up, wheeling their carts, frowning at these two young whippersnappers who were laughing much too loudly. Then the shorter of the two looked at Tate and said, “Ah, you’re Biff Altridge’s oldest boy?”

“No sir, the middle one.” Tate brushed back his disheveled hair and tucked in his shirttail. The codger extended his hand.

“Well, I’m Fletcher Blaine. I am to the Deschutes River what your father is to the Beloine. And he and I were classmates.”

“Yes sir. I remember you well. You have a house near ours on Hobe Sound and I used to ride at your place in Bedford.”

The duffer had been quite unselfconscious delivering that line—“I am to the Deschutes...” It was perfectly natural to own a Canadian river. They had “camps” up there, little layouts of a thousand-or-so acres where they roughed it in massive log mansions and caught a few fish, a couple of weeks a year. Nodding to the rest of Tate’s party, the old gentlemen played through, Tate aping their swings for Joe, behind their backs.

There had been no one else on the course, all afternoon. It was always serenely unpopulated, with a thick barricade of oaks and maples around the edges to separate this unmarked, near-secret outpost of the seriously wealthy from the tacky Longgisland tract houses that now pressed against its perimeter. Tate’s grandfather and his chums hadn’t foreseen suburban slab housing when they set this place up on a farm halfway between their beach “cottages” in East Hampton and their mansions on Fifth Avenue—and a million miles from the public links in Queens where Joe had learned to play.

Joe teased Tate mercilessly about this cushy course, a cinch to play compared to blue-collar golf. In young Joe Montagna’s world you took the subway to Queens, walked to the course, lined up to rent clubs, lined up to tee off. Joe said you had to watch out for guys who’d steal your balls, and swore there were so many people flailing away that he’d worn his union hard hat while he played. Tate begged him to wear it at the Greens Club; Pru had looked stricken until Joe had the grace to lie that he didn’t have it anymore.

The 20th-century gulf between Altridges and Montagnas might be wide, but Lee thought Big Joe Montagna and Tate’s old robber baron great-great would have gotten on. Rough types, hard driving, up from the bottom, hell-bent on getting what they wanted. Had they met in space and time, they’d have been enemies. Big Joe would have been organizing Sam Altridge’s downtrodden woikahs and Altridge would have had Pinkertons out trying to kill Big Joe. But Lee could imagine them hoisting a few between battles, respecting each other. Maybe Pru would ease up about Joe and Tate if she could picture Big Joe Montagna and old Sam Altridge getting bombed together.

But then, people fueled by post Civil War money weren’t fond of remembering that the robber baron founders of those fortunes had been anything but gentlemen. Money gotten by any and all means had bought brides of bluer blood for Sam Altridge and his descendants, and here a century later, dear Tate, a culmination of it all, had gleefully broken ranks with the gentlemen stock brokers and corporate counsels of his class to thumb his nose at the whole game.

Lee held her icy glass to her cheek.

“Next time I’m going to sit right here on the porch and rock. The whole time.” She held out a pinkened hand and started counting the new freckles on it. “I do not think this is what Hopkins meant when he thanked God for all those speckled things.”

“I think we should have stayed out there with them.” Pru frowned even more severely, ignoring Lee’s proffered literary reference. This wasn’t going to be one of the times when they could talk about favorite poems.

The Greens Club will somehow survive, whatever our guys do here. But you might not. God, it must be awful to have your nose pressed so hard against this glass. To look so perfectly North Shore, to care so much that you’re not.

Lee wished for Pru that she could be proudly Prudence Kranowski Altridge, granddaughter of the Poznan Kranowskis as well as Tate’s beloved wife. But Pru was running from Poznan, as her parents had. They’d become the Cranes, secular, prosperous professionals who had given their only child a Pilgrim name and sent her to the best schools, swathed in cashmere, coiffed and carved to American perfection.

And now she was an Altridge. She’d come out the door at St. James, expecting a New York Times camera to be there, as it had been when Tate’s big brother married Bobo Corley. There were no cameras. And when the next edition of the Social Register was published, there was no Tate Altridge. WASP princes did not marry granddaughters of the shtetl without punishment from their own. Tate thought being cut was funny, and something of an accomplishment. When his mother made her I-told-you-so call, she’d made his day. Pru was game, laughing with him at the absurdity of anyone thinking the Register mattered.

But it mattered to Pru. She had gotten securely to what she considered the top; Tate wasn’t supposed to then be deposed, downgraded, and she wanted him reinstated.

Lee thought it would be a cold day in hell. Tate could only be invited back into the fold if Pru were not his wife, and Tate wanted Pru, not the Book. The well behaved Tate she wanted wouldn’t have proposed to a granddaughter of the Poznan Kranowskis. This Tate she had, this good man, was happy as things were now, while Pru writhed in her private Catch 22.

Ever on guard against further diminution of her place in the world, she saw no intriguing social symmetry in an Altridge scion’s alliance with the son of a labor union king. Lee’s whip-smart, charming, never-boring guttersnipe was a gale wind making Pru’s highwire sway sickeningly. Sometimes Lee felt sorry for her, when she could get past resenting her disdain.

Pru beckoned to Claude for a refill.

Odd. She’s always so careful at the Greens. Someone she wants to please might be watching. Claude might raise an eyebrow at the mention of her name.

There was a lot to be said for maintaining one’s observer status, for treasuring it. Lee had been well trained, growing up on a succession of navy bases, always watching the locals and their customs, always feeling her separateness. They were stuck; she’d be moving on. Until she did, she would take up her position in the last row, back corner, back where she could see and not be seen, where she could absorb everything that was going on, saving it up for a time when she could sort out what she thought about it all, could take with her what pleased, and leave the unpleasant behind. She offered up a silent toast of gratitude to the Chief of Naval Operations and all the ships at sea.

Her father’s gift to her had been that freedom; hers to Jake would be knowing what counted. Her son would teach or paint or compose or be a healer—or all of the above. Even spending this summer in DC with his which-way-is-the-goalpost father wouldn’t confuse him. The child had Joe to watch the rest of the year, a mover and shaker who used all his street smarts to do good things in the world.

“What are you grinning about, Bucket?” Joe squeezed her shoulder as he and Tate headed for empty rockers. They swiveled sideways in unison, scanning the horizon for Claude. Twin crabs, Lee thought, tucking the picture away until she could relay it to Celeste.

“Do you hear the man, Pru?” Lee nudged Joe’s foot with the toe of her espadrille. “Bucket. Pru, do you realize that yours calls you Spider and mine calls me Bucket? What are we to make of this?”

Pru’s silky straight hair had fallen forward, hiding her face. With both hands, she tucked these concealing curtains behind her ears, an unflattering move she made when she was setting course, just before she would raise her chin and narrow her eyes. She picked up her Southside and peered at Tate through the rapidly emptied glass, seeming to study the fuzzy, askew images she could make of him with the wet, curved surface.

“That they’re eloping,” she replied slowly. “Going to the Poconos.”

She started sharply, almost dropping the glass, when Tate sprang toward the handwritten menu that was thumb tacked next to the screen door behind them.

“Hey, there’s fried chicken, corn on the cob and blueberry pie.” He smiled at them all. “Let’s go!” The door slapped shut behind him.

Joe reached immediately for Lee’s hand and pulled her up out of the rocker saying, “What, no mashed potatoes?”

They were instantly back on the safe, playful ground the two men always walked. There would be no response to Pru’s questioning of their maleness, to her sneering at Joe’s class., though there was much that could be said.

Well, Pru m’dear, the Poconos crack isn’t totally surprising, but what’s happening in your bedroom that would lead you to imagine Tate’s gay? Not a problem at our place, old girl. And honeymoon-ing? Not the tacky Poconos. We had a friend’s three-masted schooner, complete with uniformed crew, French chef and moorings at the best marinas in the Caribbean. So there. Not that we saw much of the islands.

Lee felt a wave of goose pimples, remembering the long days and nights in the mahogany-lined cabin, enveloped and electrified by Joe’s beautiful, urgent body.

She smiled happily at him, grateful that he was not taking Pru’s bait. “Oh surely, sir, there will also be mashed potatoes.”

“As it is written in the prophecies,” he answered, extending a firm hand to the tipsy Pru and escorting both women in to dinner.

EARLY ARRIVALS, PLEASE NOTE-- I'VE MADE CHANGES IN THE EARLY CHAPTERS.
SORRY.
REALIZED THERE WERE NOTES IN MY PAPER COPY THAT I HADN'T PUT IN THE COMPUTER. NOT A LOT, BUT SOME.

IF YOU DON'T WANT TO POST YOUR COMMENTS HERE FOR ALL TEAM MEMBERS TO READ, YOU CAN EMAIL ME AT AMEDLOCK@WHIDBEYISLAND.COM

Friday, July 06, 2001

YAY--QUESTIONS. THANKS, KATE. I'LL CHECK ON "BOOM BOXES." THERE MUST BE SOME PLACE ON THE INTERNET THAT DATES SLANG.
WILL RE-SPELL THE FRENCH.
LEE HAS TWO SONS IN THE PRELUDE, ONE WHEN THE STORY DROPS BACK TO YEARS EARLIER. TOBIAS CALLS HIMSELF JAKE IN THE EARLY YEARS, THE YOUNGER ONE IS GABRIEL.
HERE'S THE PLU REFERENCE: Tate insisted on being concerned about the lower classes and the general well being of the body politic, rather than keeping to concerns they found proper to People Like Us.
TATE IS THE MIDDLE SON OF THREE--OLDER BRO THE STOCKBROKER, YOUNGER THE PLAYBOY.